Its year-round population reached its zenith in 1875, with 4,357 people – about 50 percent more than today. They fished for herring, bass and mackerel in the harbor, and for cod off the Grand Banks and in the Bay of Chaleur. Hired to work on whaling ships, they then followed the Yankees into fishing. By the 1840s the Portuguese, mostly from the Azores, began to arrive. The town grew steadily as whaling took off.
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Finally, when that war ended, Ptown came into its own. Image courtesy New York Public Library.įishing families returned after the war, but the Embargo of 1807 and the War of 1812 interrupted its growth. Northeastern view of Provincetown in the 19th century. But then the residents abandoned their homes during the war, as British warships would just sail in, stop the fishing and demand provisions. It reached about 200 people when the American Revolution started. Throughout the 18 th century, Provincetown’s population fluctuated. So for 166 years, Ptowners were squatters. It wasn’t until 1893 that the General Court allowed the residents of Ptown to hold title to the land they lived on. But the colony owned the dunes and the scrub forest. They were allowed to squat in the built-up section, so long as they fished and farmed. The Massachusetts General Court didn’t grant the inhabitants the right to own their land. The Massachusetts General Court made those lands part of Truro, and then in 1727 incorporated the Town of Provincetown.īut again, Ptown retained its uniqueness. In 1692, Massachusetts absorbed Plymouth Colony and Provincetown became known as the Province Lands. It’s unclear when year-rounders moved to Provincetown. Ptown was a transient, seasonal community, described as a wild place inhabited by “fishermen, smugglers, outlaws, escaped indentured servants, heavy drinkers and the ‘ Mooncussers’.” The residents lived outside of the Puritans’ strict social order. And unlike other Puritan towns, it didn’t have to support a minister. Unlike other colonial towns, Ptown didn’t get a charter. The governor, Thomas Prence, got a deed for the land from local Indians in exchange for some blankets, kettles and tools. For the next decades, Plymouth Colony regulated and taxed the fishery, hoping to raise money for a school. They did a little exploring, stole a little Indian corn, signed the Mayflower Compact and then moved on to Plymouth.īut they realized the deep, sheltered harbor teemed with fish, and they took advantage of it. Ptown, The Beginningīefore they ever set foot on Plymouth Rock, the Pilgrims made landfall on the extreme northern tip of Cape Cod. I think the use of screens, the use of digital technology has actually altered our nervous systems.Provincetown roofs. “I think our nervous systems are completely different from human beings 100 years ago. “I think we are evolving, not devolving,” Cronenberg said. And to me, that is the model of a true passionate artist.”īeyond the experimental depiction of creative expression, Cronenberg’s film is a larger interpretation of what the next step of human evolution might look like. “He’s offering it up to his audience and therefore being incredibly vulnerable to ridicule, to rejection, to misunderstanding, to anger.
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“Tenser is really an avatar, a template or model of the artist who is actually giving everything he could give, opening himself up and giving what is the deepest, most intimate part of himself hidden inside,” Cronenberg said. That trust allows you to try things without questioning too much that you might otherwise not try for other directors so readily.”Ĭronenberg said Tenser, who places his own organs on display for people to see, represents a true passionate artist. “You realize that he has your best interests, the character you’re playing, at heart as much as anything else. “He can back up what he’s doing and explain it if need be,” Mortensen said. Mortensen, who has now worked with Cronenberg on four different films, praised the director for his ability to inspire trust in his actors. When I see what happens on the set, unless there’s something that everybody thinks has gone off the rails, I don’t say anything.” He continued, “We don’t have discussions, we don’t rehearse, we don’t intellectualize. “I’ve had many actors say, ‘I don’t know what the fuck I’m doing.’ And I say, ‘yeah, you just keep doing that.’ I really want to see what the actors’ intuition is and what the actor brings.”
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“You cast brilliant actors who are just right for the role, and it doesn’t matter if they think they don’t know what they’re doing,” Cronenberg said. As artists, we just give everything - our body and our soul.”Ĭronenberg said he “really didn’t care” if Seydoux or any of his actors understood the meaning behind his story as he wanted to elicit a raw performance. She continued, “To me, it was also a metaphor about what it is to be an artist, and this is how I related to the film.